"Flash" or very short fiction is ever more popular these days. The wonderful Best Small Fictions 2015 (Queen's Ferry Press), edited by Tara L. Masih and guest editor Robert Olen Butler, brings together "small fictions" by fifty-five writers including Rusty Barnes, Ron Carlson, Kelly Cherry, Stuart Dybek, Bobbie Ann Mason, and Diane Williams.
"We listen to small fictions like nightsounds from afar," Butler writes in his introduction. "They enter us briefly, in sweetness or sassiness, in hilarity or aching sadness, but they leave us imprinted with freshly experienced truth." The first of what will happily be an annual compilation, the anthology features emerging and well-known authors from the U.S. as well as Ireland, Australia, New Zealand, and Japan.
Here I interview contributor Hiromi Kawakami, one of Japan's leading writers. Known for novels such as
The Briefcase
and
Manazuru
(both published by Counterpoint), Kawakami has won many awards, including the prestigious Akutagawa and Tanizaki prizes. "Banana," her captivating piece in
Best Small Fictions
, is the offbeat story of Uncle Red Shoes, a frustrated entrepreneur who took over a toy factory in western Japan that then went bankrupt under his management. His latest endeavor, a dance studio in a different part of the country, has also failed; he's sometimes seen on the street executing elegant
grand fouetté
turns, a worried look on his face.
I asked Kawakami about flash fiction, "Banana," her obsessions, and her writing process.
Is flash fiction popular in Japan?
We have something called "palm-of-the-hand stories," brief and strangely evocative pieces of fiction so short they might fit in your palm. There are many masterpieces of the form that I admire, from Natsume Soseki's Ten Nights of Dreams and Yasunari Kawabata's Palm-of-the-Hand Stories (he coined the term), to Junnosuke Yoshiyuki's Personal Baggage and Festival of Sweets, and Hyakken Uchida's Realm of the Dead and The Bowler Hat.
Perhaps the main reason there are so many of these palm-of-the-hand stories is because short poetic forms like haiku and tanka have existed for a very long time in Japan, and writers as well as readers are familiar with this way of conjuring an underlying, unseen world that lies beyond with just a brief description or a few words.
What was the inspiration for "Banana"?
Recently I've been learning how to dance, and the latest challenge is "turns." They're very difficult. I started writing "Banana" when I had the idea of how unexpected it would be if the president of a company were able to do these turns.
How long did it take to write?
Is there anything else you can tell us about it?
It's part of a story cycle called People from My Neighborhood. These palm-of-the-hand stories describe the residents of an imaginary neighborhood, plucking various scenes from each of their lives. I like Sherwood Anderson's Winesburg, Ohio and I'm drawing upon his method of conveying an entire town through portrayals of its inhabitants.
What are you obsessed with in your writing?
When I write, I'm obsessed with the relationships between people, and the connections between people and places.
How are these obsessions seen in "Banana"?
Although Uncle Red Shoes may seem unrelated, he does have an unexpected connection with people in the neighborhood, and perhaps the randomness of that connection is inevitable. In this story cycle as a whole, I'm hoping to show the connections between people and the town, and between the people themselves.
Do you prefer writing long fiction or short fiction?
When I write long stories, I get the urge to write short stories, and when I'm only writing short pieces, I yearn to write something longer.
What's your writing process?
I start writing in the morning. I also write in the afternoon. I think about the story I'm writing morning and night. I'm thinking about stories all day long. Except I don't think about writing when I'm out drinking. The best ideas come to me when I'm not thinking about it.
Our 2024 Coverage Needs You
It's Another Trump-Biden Showdown — And We Need Your Help
The Future Of Democracy Is At Stake
Our 2024 Coverage Needs You
Your Loyalty Means The World To Us
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
Contribute as little as $2 to keep our news free for all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
The 2024 election is heating up, and women's rights, health care, voting rights, and the very future of democracy are all at stake. Donald Trump will face Joe Biden in the most consequential vote of our time. And HuffPost will be there, covering every twist and turn. America's future hangs in the balance. Would you consider contributing to support our journalism and keep it free for all during this critical season?
HuffPost believes news should be accessible to everyone, regardless of their ability to pay for it. We rely on readers like you to help fund our work. Any contribution you can make — even as little as $2 — goes directly toward supporting the impactful journalism that we will continue to produce this year. Thank you for being part of our story.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
It's official: Donald Trump will face Joe Biden this fall in the presidential election. As we face the most consequential presidential election of our time, HuffPost is committed to bringing you up-to-date, accurate news about the 2024 race. While other outlets have retreated behind paywalls, you can trust our news will stay free.
But we can't do it without your help. Reader funding is one of the key ways we support our newsroom. Would you consider making a donation to help fund our news during this critical time? Your contributions are vital to supporting a free press.
Contribute as little as $2 to keep our journalism free and accessible to all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
As Americans head to the polls in 2024, the very future of our country is at stake. At HuffPost, we believe that a free press is critical to creating well-informed voters. That's why our journalism is free for everyone, even though other newsrooms retreat behind expensive paywalls.
Our journalists will continue to cover the twists and turns during this historic presidential election. With your help, we'll bring you hard-hitting investigations, well-researched analysis and timely takes you can't find elsewhere. Reporting in this current political climate is a responsibility we do not take lightly, and we thank you for your support.
Contribute as little as $2 to keep our news free for all.
Can't afford to donate? Support HuffPost by creating a free account and log in while you read.
Dear HuffPost Reader
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. Would you consider becoming a regular HuffPost contributor?
Dear HuffPost Reader
Thank you for your past contribution to HuffPost. We are sincerely grateful for readers like you who help us ensure that we can keep our journalism free for everyone.
The stakes are high this year, and our 2024 coverage could use continued support. If circumstances have changed since you last contributed, we hope you'll consider contributing to HuffPost once more.
Support HuffPostAlready contributed? Log in to hide these messages.