Let's go to Alamar! My mother would say and we would head out to visit some relatives who lived in that so-called "Siberia." We arrived in an area of ugly, coarse buildings haphazardly tossed on the grass. We would play with other kids among these concrete boxes in the high grass that grew all around. It smelled of the sea, and also of boredom. It should have been the city of the New Man, but it was just a failed architectural experiment.
Alamar, despite its urbanist failings, has been the hotbed of a vibrant and rebellious musical genre: hip-hop. Its amphitheater has hosted some of the most memorable alternative concerts in Island memory. Hard songs, composed with the words of daily life and the poetry of the street. Duels between opponents who, instead of throwing weapons or blows, launch words and rhymes. How did the stage for this "citizen laboratory" end up sheltering these lyrics of the rebellion? What happened with the victorious anthems that led to such corrosive verses of survival?
What happened was that reality set in. Alamar was one of the areas of Havana hardest hit by the economic hardships of the Special Period. It saw thousands of its inhabitants leave during the 1994 Rafter Crisis, and suffered extremely long power cuts accompanied by robberies and other acts of violence. The Russian technicians left, the squatters made the empty homes they left their own, and the Chilean exiles who lived there, for the most part, returned to their own country.
Then the immigrants from the eastern provinces arrived, illegal constructions extended on all sides, and the police declared that bedroom city a "danger zone." A "people warehouse," conceived for disciplined and mediocre people, demonstrated that when you play with the social or constructive alchemy, you rarely achieve the desired results.
Amid the gray cement, the tiny rooms and the boredom, hip-hop has become the daily soundtrack. Alamar has its own rhythm. A cadence that hits the head like the waves that crash against its dogtooth coastline. Like the picks hitting the ground to lay the foundation of a quadrilateral and submissive future that never came.